Kris Hall: Similar, Similar
So how similar is too similar? Does having a great game in a given genre inspire me to say “enough” or to go looking for clones? Or to put it another way—is it possible to have too many train games?
These thoughts were inspired by the various internet items I’ve seen lately on Steam and Age of Steam 3rd edition. Some people have indicated that they will buy both. Is that too much of a good thing?
While I am happy to collect expansions for many games (I have all of the current Arkham Horror expansions even though the number of expansions is higher than the number of times that I have played the game), but too much similarity between one version of a game and the next is a turn-off to me. To me, Ticket to Ride Europe felt overly familiar when compared the basic Ticket to Ride. But Ticket To Ride Marklin offered just enough innovation to be fun and worth a purchase.
I plan to buy Steam (on the grounds that it is less demanding and more like Railroad Tycoon than regular Age of Steam), but I don’t think I’ll need to own Age of Steam as well. Even a fanatic Martin Wallace fan sometimes wonders how many cube-shuttling games he needs.
Obviously, some players can’t get enough of certain genres or certain subject matters. Wargaming is a fairly small subset of the general gaming hobby, but wargame publishers keep churning out eastern front games. I assume that many wargamers are happy to own half a dozen simulations of the Barbarossa campaign.
Of course, scale and game mechanics can make two different simulations of the Battle of Gettysburg into very different experiences. The old Avalon Hill Gettysburg game is so different from Richard Berg’s Three Days of Gettysburg as to seem like a different animal altogether. But if I owned those two games (and I do), how many more Gettysburg games would I need before I felt sated? How many different Civil War combat result tables would I need to see before acquiring a new Gettysburg game feels just plain redundant?
I don’t know.
But Martin Wallace has said that he plans to develop a Gettysburg simulation as a Treefrog Game.
Because I already own so many Gettysburg games, there will be no need for me to buy it.
Of course, it never hurts to check out the rules of any new game…
Comments:
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Good question, Kris. I really enjoy train games, but I also would prefer to stick with one Age of Steam version, preferably the one that would be easiest to teach and play with non-AoS experts (such as I). I thought that would be “Railroad Tycoon”, but if Steam meets that criteria more, than I may have to get that instead. What’s amazing is that many of these variations are released by competing publishers, right? Another interesting dimension to the “similar similar” question. Posted by Jeff Allers on Feb 13, 2009 at 10:42 AM | #
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And here I have the feeling that Steam and RRT will be too similar to bother with both - if you want AoS-lite, you’ll now have two options. Posted by Eric Flood on Feb 14, 2009 at 02:55 PM | #
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I enjoy classical music. A search for Beethoven’s fifth symphony on Amazon.co.uk just brought up 998 results. For me, one recording of that symphony is enough, but there are Beethoven-ophiles who collect many more (though perhaps not 998). As a lover of variety, I find it as hard to understand that there is a market for another 18xx or another Gettysburg (a recent Geeklist of Gettysburg titles got to 43) as another recording of Beethoven’s fifth. And yet there’s are people who’ll buy them. More evidence, if it were needed, that we are all different. Posted by Andy Parsons on Feb 15, 2009 at 05:14 AM | #
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If one considers that most popular music is, at heart, variations of Pachabel’s Canon, this shouldn’t surprise you too much. http://www.youtube.com/watch?v=JdxkVQy7QLM My girlfriend is a complete music geek, trained in Vienna, who has several recordings of various artists (but not Beethoven). This arises from the Vienna Philharmonics doing a recording, the London Symphony doing a recording, the Berlin philharmonics doing a recording...etc. Listening to two different recording can be completely different experiences, tempos vary wildly. The reason for there being 998 Beethoven fifth symphony is simple and for another reason - it’s immensely popular. As long as people keep buying it (and it is probably the only recording they’ll own), people will keep recording new...recordings. As with anything else, the classical scene is money-driven. Posted by Eric Flood on Feb 15, 2009 at 11:55 AM | #
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I plan on buying Steam. I need the shorter game, and if it sucks I can always play it with the AoS rules. Posted by Mark Crane on Feb 18, 2009 at 01:38 AM | #
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