Mary Dimercurio Prasad: Boardgaming with Polymer Clay

My husband recently brought to my attention a Geeklist on BoardGameGeek of board games enhanced with polymer clay pieces. For example, one guy made all new pieces for Agricola, including the cutest little sheep, boar, cattle, and vegetables. I also enjoyed the images of Primordial Soup (amoebas and amoeba poop… uh, food!) and Power Grid (check out the garbage cans).

Over the years, I’ve made quite a few things with polymer clay (e.g. jewelry, figurines), but I had not yet used it for game pieces (except to replace missing pieces). At one point I had thought about making a Settlers board but that would be a lot more work than I’m interested in doing for one game. A smaller project would be fine, though, so I decided to make dinosaurs for our Evo game.

If you are unfamiliar with polymer clay, it is a moldable type of plastic that may be baked at a relatively low temperature to cure. For most brands that temperature is 265-275º F (129-135º C) with a baking time of 15 minutes per 1/4” (6mm) of thickness. (Check the packaging for each specific clay type.)

Although the clay is certified nontoxic, you need to take a number of precautions when handling and baking polymer clay. Do not use your home oven! Fumes can leave residue on your oven, which may be re-released later when you use the oven for food. You should use a dedicated oven for baking polymer clay. I highly recommend picking up a cheap toaster oven (with a bake mode) in which to cure the clay. You can probably find one at a yard sale or local thrift store.

Since ovens can spike in temperature, you may want to place an oven-thermometer in the oven while baking to monitor temperature. Always bake clays in a well-ventilated room. I recommend baking clay in a glass baking dish (preferred) or cookie sheet lined with cardstock or mat board to prevent shiny spots. You may have to prop up larger figures and place an aluminum foil tent over them to prevent them from browning on top. Round pieces, such as a disk with a hole, may be cooked on a skewer or wire going across the top of the baking dish.

All tools used with the clay should be dedicated – never use them for eating or food preparation. (Ditto for the clay itself, baked or unbaked.) While working with the clay, do not rub your eyes, and wash your hands frequently, especially before eating. Children should be supervised when working with the clay.

Polymer clays come in a large variety of colors and may be mixed together to create more colors as desired. There are also metallic, pearl, and glow-in-the-dark clays, and even a brand that looks like stone (Granitex). Upon baking, the clay does not noticeably shrink or change texture, although it may become slightly dull. Clay may be wet-sanded, buffed, drilled (e.g. with a Dremel), or painted with acrylic paints. You may also apply an acrylic based clear coat for shine and protection.

Popular clay brands include Premo, Sculpey III, Granitex, Fimo, and Fimo Soft. I have used all these brands and prefer Fimo Soft or Premo because of their strength and ability to remain slightly flexible after baking. Sculpey III is probably the least expensive but the most rigid; smaller or thinner parts may break off with use. Polymer clays are sold in most arts and crafts stores and online.

Always store polymer clay in its original packaging away for direct sunlight, heat, and dust. Never leave it in a car (even after purchasing it) or it may start to bake. You can wrap used pieces in wax paper and store them in a plastic container. (Be aware that the clay may react with certain plastics.) Properly stored clay can last for years.

All types of polymer clay must be conditioned before use, although some require more work than others. Conditioning softens the clay, making it more malleable. It also activates the PVC particles, strengthening the clay so it is less likely to crack or break after baking. Fimo is especially hard and crumbly. Some people use a dedicated food processor to chop up the clay, then feed the pieces through a (dedicated) hand-crank pasta machine to further condition it (using repeated folding). A drop or two of mineral oil may help soften particularly hard or old clay. Soft clay can usually be conditioned by hand (e.g. kneading it like dough and rolling it around in your hands). If, through over-conditioning or too much manipulation, the clay becomes too soft for sculpting, just let it rest for about 20 minutes. Work on a clean, flat, non-porous surface.

A variety of materials may be used with polymer clay. For example, you can score it or press something onto it for texture, such as rubber stamps; add beads (e.g. small black glass beads make nice eyes); use embossing powders; paint with Pearl Ex pigments; and add metallic leaf (e.g. gold, silver, copper).

Sculpting tools (or dentist tools) can be used in shaping and smoothing. A needle tool may be used to poke holes. The end of a paintbrush or something similar may be used to press indents, for example to form eye sockets for creatures. A rolling pin or brayer is helpful for rolling out the clay (although a hand-crank pasta machine is ideal).

Use clay scraps or aluminum foil for “insides”, e.g. the base inside mountains (if you want to make the Settlers board). Toothpicks or wire may be used for additional structure, e.g. inside trees, or arms and legs. Usually this is unnecessary for small pieces. If you are going to make several pieces and want them to be about the same size, you will need some way to measure the clay. Make a long roll of clay, lay a ruler alongside it and cut at even intervals. Some popular cutting tools include X-acto knives, and tissue blades or clay blades. One measuring tool is made specifically for working with clay and can be pressed into the clay to mark intervals, e.g. every 3mm, 5mm, etc.

To “antique” figures, use brown or black acrylic paint. Paint the entire figure, making sure to get paint in the cracks and lines, then wipe off the excess with a paper towel to get the desired effect. (Typically this leaves the paint mainly in the cracks/lines.)

You may make molds from polymer clay by pressing an item into the clay. This includes previously baked clay items. As a release agent, use a dusting of cornstarch or a light spray of Armor All (wiping out the excess), i.e. to prevent sticking. For more about molds see: http://www.polyclay.com/molds.htm and http://www.angelslanding.com/pushmolds/faq.html

Want more resources to explore?

There are many, many examples on the web – just include “polymer clay” in your search. Have fun!

My thanks to Mary for providing great images for this article! Of course I’d expect nothing other than greatness in her photos since she is a professional photographer. For more of Mary’s work – or to hire her for your own game shots – visit Impressions Photography.



Posted by W. Eric Martin on Apr 6, 2008 at 02:00 AM in Columnists, Articles, Etc.Articles / 5936

Comments:

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Very interesting read and perhaps even inspiring.

Posted by Jason Matthews on Apr 6, 2008 at 02:25 AM | #

Great article Mary!

Posted by Giles Pritchard on Apr 6, 2008 at 06:29 PM | #

Cool article.  But what I really want to know is: what are the lens / exposure details for that last macro shot?  I’m guessing you used a dedicated lighting rig - which is way out of my league - but it can’t hurt to ask, right? ;)

pk

Posted by Patrick Korner on Apr 7, 2008 at 12:18 AM | #

I saw that geeklist as well and I’ve been wanting to make something from the clay, I just haven’t figured out what.

I didn’t know I shouldn’t use my home oven, so thanks for that tip!

Posted by Jason Spears on Apr 8, 2008 at 08:43 AM | #

Hi Patrick! I believe I used a 50mm macro lens with manual exposure probably shot at 125 f/11. For games, I use a polarizing filter to cut glare. The lighting is a professional set up in studio with a 4’x6’ soft box (acts like a big window) on the main light and 2nd light with a smaller soft box. The third light is mainly just drawing power but adds a little from the top (it’s what I use as hair light). I had the lights set up from portrait work; just lowered them to shoot on the ground.

Lighting is a big topic, but here’s a quick reply: you can get a similar look by shooting near a window, outside on a cloudy day, or outside in full shade. You should be able to bounce some light (e.g. using a white reflector or white poster board) for fill. For macro work, a ring light or removable flash (maybe with a small soft box) can act as a main light or add fill respectively. The on-camera flash will be at the wrong angle for macro photography. Try out different options to see what you like best. You may want to write down your favorite (diagram) so you will know the set up when you want to duplicate the look next time.

Thanks for the comments, everyone!
Mary

Posted by Mary Prasad on Apr 8, 2008 at 09:32 AM | #

Wow, I’m inspired by that Primoridal Soup photo in that GeekList… whew..

I’m not an artist but I’ve wanted to incorporate some art into my boardgames.  Either Evo or Primordial Soup are good candidates for me.

The only Sculpy work I’ve done is way back when the Setter’s expansion came out I had heard about it but couldn’t get ahold of one.  I created my own 5-6 player expansion using Sculpy (well, and paper).  My friend did the same, he even made his little houses into huts to match the theme of a Papua New Guinean village.  (He was planning to move to PNG at the time...)

Posted by Matt J. Carlson on Apr 8, 2008 at 11:33 AM | #

I’ve seen products like that in hobby stores in Norway (Panduro, a Scandinavian(?) chain), but they state 110 Celsius as baking temperature, not to be exceeded.

Your article seems to be very safety-conscious, but is it really necessary to “dedicate” equipment to this and not use e.g. a kitchen oven when the compounds are supposed to be non-toxic? (At least in the FIMO case.)

I have an old kitchen oven that I never use for anything (microwave oven is faster and less energy-hungry for cooking) so I might be tempted… though my artistic skills are… found lacking. :)

Posted by Tor Iver Wilhelmsen on Apr 8, 2008 at 03:09 PM | #

Sorry about the late reply - I just got back into town (difficult to post when I’m away!). The problem with many of the clays is fumes when baking, especially if overcooked. This can be an irritant to eyes and lungs. If you use your own oven, the particles can accumulate in the oven so when you cook food, it will probably cause the residue to release again (i.e. causing the same problems as overcooking the clay). I would also not like the clay particles (plastic) in my food - for the same reasons I would not recommend heating food in Styrofoam containers in the microwave (although I have been guilty of it from time to time, I do try to use a plate most of the time).

You don’t have to have a lot of skill to make interesting things. Try some of the tutorials online. Tips and techniques can be found at the manufacturers’ sites, e.g. http://www.sculpey.com/ I bet you will be surprised at how easy it is just by following some simple instructions.

Mary

Posted by Mary Prasad on Apr 14, 2008 at 10:32 PM | #

Great article Mary. I probably have as many books as you do on this subject...!

You scared the life out of me last year when you said I mustn’t use the home oven. So I haven’t done any Polymer work since then… normally I use it for models and tiny sculpts. Instead I have been using ProCreate and MagicSculpt which are two part clays, a bit like Aves. I also use liquid clay a fair bit.

The point of the note is to say that one of the recent books I have suggests the following. Bake in a baking tray which has another identical baking tray upside down on top. These can be clamped together. This means that any residue is pretty much kept within the ‘cocoon’. Do you think this would work? I will try to find the book title.

M

Posted by Mike Siggins on Apr 15, 2008 at 07:16 AM | #

Oh and the main point of the comment, apart from praise, was to say that only people with a LOT of time on their hands can do this sort of thing! My friend Paul Jefferies used to make all sorts of amazing stuff, including complete games, and make everyone else feel inadequate. I hope you are not one of those people....!

Posted by Mike Siggins on Apr 15, 2008 at 07:19 AM | #

Hey Mike!

Didn’t mean to scare you! I had used my own oven when I started working with polymer clay, until I read more books on the subject. My choice is to err on the side of safety. I am definitely not an expert on polymer clay, I just put info out here from what I have learned so far.

Toaster ovens are really inexpensive if you buy them 2nd hand and since everything I have done so far is fairly small, it is the perfect solution for me.

As to your other comment, I don’t think I will be making lots of games but I do enjoy working with polymer clay once in a while. Ravindra helped me with some of the dinos (not the ones you saw in the photos though - he’s helping me with the multiples). We often enjoy watching DVDs on the weekend (currently hooked on SG1); we are making the clay dinos while watching. Typically this would be on Sundays since we like to have people over to play board games on Saturdays!

Mary

Posted by Mary Prasad on Apr 15, 2008 at 02:01 PM | #

I’ll be keeping my eyes open for a toaster oven this summer as we go garage saleing. That and old boardgames as raw materials for prototypes.

Posted by Jason Spears on Apr 15, 2008 at 02:20 PM | #

Hi Mary.  Very interesting article and of course, excellent photos to go along with it.  Makes we with I was more artsy.  Good job!

Posted by David Phipps on Apr 23, 2008 at 01:21 PM | #

Barney?  You sculpied a Barney?  Mary, how could you?

Posted by Sergej Roytman on Dec 20, 2008 at 11:14 AM | #

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